Friends

http://www.warrenellis.com/?p=8163

This is me with local musician Carolina Fasalo of The Voronas. Caz dumped a load of old photos on to her Facebook account and turned this up. Last summer, I think?

I was reading this interview with David Simon the other day — he gives good interviews, see if you can find the one he did with THE BELIEVER magazine sometime — and something he said stuck with me a little bit. As it often does in Simon interviews, as he’s good with a bon mot or two. I’ve hacked some connective tissue out to present it as a complete thought:

There would be a series of planning sessions. First, at the beginning of every season, we did a sort of retreat with the main writers, the guys who were going to be on staff the whole year. We’d discuss what we were trying to say… we weren’t cynical about having been given ten, 12, 13 hours — whatever we had for any season from HBO. All of that was an incredible gift.

So goddamn it, you better have something to say. That sounds really simple, but it’s actually a conversation that I don’t think happens on a lot of serialized drama. Certainly not on American television. I think that a lot of people believe that our job as TV writers is to get the show up as a franchise and get as many viewers, as many eyeballs, as we can, and keep them.

What we were asking was, “What should we spend 12 hours of television saying?”

Which, yes, should sound blatantly obvious. But it’s easy, when working in fast and deadline-intensive serial formats, to forget that bit: to trust to the process of pulp writing and the form’s innate effect of whatever you’re really interested in leaking out into the work regardless. It’s easy to forget what you turned up for.

It’s also an interesting process note. A good 95% of longform serials, I’d guess, turn up not knowing what they want to talk about. Sometimes they don’t discover what they showed up to talk about until the third or fourth season. And I don’t mean so much the working out of what’s now called "show mythology," the actual overarcing storyline — and we can all name shows that suddenly realised they’d payed out all the rope they had and they didn’t know where the plot went next. I mean the serials where they finally open their mouths and nothing comes out. They made the show because they were allowed to make the show.

In other news, Karl Urban has apparently been signed to RED. This brings the cast up to something like the eight thousand most popular actors in the world.

Tonight I am mostly clearing the house. Not enough strength left in me for proper writing. I’d actually really like to be digging into the outline I wrote for the GRAVEL film, and fixing all the stuff in it that looks broken. I’m delivering it at the end of the second week in January, so there’s plenty of time, and it’s actually in reasonably good shape overall. But the thing about distance from a thing — and this is actually not bad advice for any new writer — is that it gives you essential and often surprising perspective once you’ve been away from it for a few days. Walking away from something for a few days or a week is sometimes the best possible thing you can do for a piece. Again, not something we always have time for in the deadline game.

I’d also like to be working on the animated series I have in development, but, like I said. Burned way the fuck out. So I’m going to content myself with clearing the house, catching up on my RSS feeds, scheming about getting a new phone out of Vodafone, and making a few notes on loose ideas. Proper writing can wait a couple of weeks, now.

http://journal.neilgaiman.com/2009/12/why-all-lettering-is-getting-smaller.html

I'm flying out tonight to the UK. I'll hole up in the middle of nowhere with my children and ex-wife and my mother as well, and probably be off-the-internet the whole time. There will be no TV in the middle of nowhere, so I will miss Doctor Who and miss "Statuesque" on Sky1 (10 pm Christmas Day).

http://www.warrenellis.com/?p=8161

Very nearly completing the first volume, at Bleeding Cool:

(And there’s an error in there that should read: "…crossing the four hundred miles from Berlin to Metz")

http://www.warrenellis.com/?p=8157

Well, nearly. We ran into a blizzard north of Church End, east of the Gallows Green Road (love the place names up-county – Bacon End and Butcher’s Pasture are in the same area). It slicked a small, winding country lane already made treacherous by packed sheet ice. And then we hit a pothole and that was it, we were planing. Up over the kerb and headed for a low wall with a deep ditch behind it. Luckily, mounting the kerb gave us the traction we needed to pull round with a foot to spare. That was fun. Drove on, to find a car buried in a ditch at the next junction.

Oh, and the back of the kitchen flooded the other day. I’m starting to get the sense that 2009 wants to finish me off before it dies of old age. A calendrical unit yelling "I’m taking you with me, you bastard!" from its vanishing final paper bunker marked December, every spent day a room deleted from the structure until 2009 is finally huddled in one small box marked 31 and screaming obscenities in stark terror.

All of which was probably an episode of Grant’s DOOM PATROL.

This is the new issue of COILHOUSE. Delighted to see Kristamas Klousch on the cover. It goes on sale on the 22nd. This will be the link you need.

So, having lost even more time to trying to staunch an apparently endless flow of meltwater through my windows, I have to now write DO ANYTHING #026 and FREAKANGELS 0082, because Paul’s just caught up to me. And then I’m calling it Done for the year. I’ve really got nothing left in me this year. Not intending to do anything more than scribble in a notebook and write the occasional piece here until Jan 5.

(FREAKANGELS will be on a skip week this week, because Xmas Day falls on Friday. If we had any sense, we’d skip New Year’s Day too.)

Fuck you, 2009.

http://journal.neilgaiman.com/2009/12/nakedly-commercial-post-sweetened-by.html

Just a quick post to let those interested know that both Amazon and Barnes and Noble are doing extreme Christmassy discounts on ODD AND THE FROST GIANTS. It's available for 50% of the cover price...

The Amazon.com link is http://www.amazon.com/Odd-Frost-Giants-Neil-Gaiman/dp/0061671738

The Barnes and Noble link is at http://search.barnesandnoble.com/Odd-and-the-Frost-Giants/Neil-Gaiman/e/9780061671739I got to amaze and impress my daughter Maddy the other day, using http://us.akinator.com. You may enjoy impressing someone with it. Or perhaps just learn to demonstrate your telekinetic skill (I wish I'd known how to do this when I was twelve. I would have conquered the world with it).

http://www.warrenellis.com/?p=8155

Tiiiired. Sitting here listening to Pocahaunted and chugging coffee in order to stay lucid enough to do a GRAVEL phone conference set for 1.30am. This week’s been utterly buggered — you may have noticed the silence here — by a member of the family being rushed into hospital early in the week, which has turned everything into bubbling chaos and is necessitating runs to the hospital, rescheduling, etc. And then the snow hit, turned into two inches of white stuff sitting on three inches of ice, and Britain shut down because it is now a country of weaklings and jabbering genetic wreckage who shit themselves when the sky moves.

GRAVEL phone conference with my producers is to set the storyline. I’ve spent what little time I’ve had this week putting all my notes in order. Which is how I ended up writing the line "Bill, you’re kind of persona non fucker around here."

Also, at the top of the week, I wrapped the last few pages of ULTIMATE COMICS IRON MAN ARMOR WARS #4, which is one of the more ridiculous titles that I haven’t invented myself. Sadly, the Marvel office chose to ignore the alternate titles I wrote at the top of each script. I liked IRON MAN: HUMAN SEX JEEP the best.

Had a conversation with David Bogart at Marvel about the future of the NEWUNIVERSAL: STORMFRONT project there that got stalled when my computer and backups were destroyed. Should be sorted in a few months. I think Dave’s official title at Marvel is Grand Inquisitor or Witchfinder General or something, but I’ve known him pretty much since he started out in the business, and, frankly, it’s always nice to know that there’s a guy in that office who will never try to screw me over. Dave will look after me.

Or, of course, I will have him killed. I know lots of people in New York. I mean, trust is good, but insurance is better, right?

If I can just get a few more pages on other things out over the next two days, then from Monday I am done with 2009, and anyone who doesn’t like it can bite my muckpump.

More coffee.

http://journal.neilgaiman.com/2009/12/xmas-roundup-with-some-good-links-and.html

How the hell did it get to be December the 18th? Ohhh. All the links I meant to post. Arghh.

For a start, I want to repost this little true thing I wrote, from last year's Independent: it's about being an eight year old Jewish kid who really wanted a Christmas tree...

http://www.warrenellis.com/?p=8153

Variety says:

Summit Entertainment has set Oct. 22 as the release date for "Red," its espionage thriller starring Bruce Willis, Morgan Freeman and Helen Mirren.

Red," based on the WildStorm/DC comicbook…

…because apparently reading the names on the spine is hard work.

http://www.warrenellis.com/?p=8151

The joy of Fridays.

http://www.warrenellis.com/?p=8146

“In Dulce Jubilo” – the Medieval Baebes.

“Just Like Christmas” – Low

“Christmas Wrapping” – The Waitresses

http://journal.neilgaiman.com/2009/12/late-night-mystery-post.html

Hullo everyone. I took a week off from Blogging, then didn't have a second during the whirlwind of the last few days.

As a result of which I have dozens of open tabs and dozens of letters to the FAQ line that I've marked as things I should answer. I'm not going to try and do them all now (Maddy told me that I'm taking her to school at 6:30 am, as she's got her first period of Driver's Ed). But there are a few things I should say before I sleep...

The first one is to congratulate Henry Selick and all the Coraline team (and Laika, and Focus) on the wonderful way they are being recognised by Awards. Yesterday, for example, we learned that Coraline is nominated for a Golden Globe award.

There's a great website at http://awards.filminfocus.com/#/coraline/awards which is a bit out of date right now. My favourite of the recent awards is that the Alliance of Women Journalists gave Coraline their Best Animated Character award, although the biggest honour is Coraline being on the American Film Institute's list of the ten most important films released in 2009.

I went to Atlanta. It was foggy and thunderstormy and I signed for 1,050 people. (Here's the Atlanta paper blog on the event. And Little Shop of Stories said Thank You so very nicely.)

I went to Winnipeg. It was cold outside and I signed for 869 people. Here's the Winnipeg Newspaper article. Just behind me, in the grey shirt, is the wonderful Elyse Marshall, publicist from HarperChildren's, who looked after me on the Graveyard Book Tour and who can now run a huge signing in her sleep, which is great, because it means I don't have to worry about any details or disasters. I just do my job and sign and meet everyone.

(How bad can it get? Well, there was the time Terry Pratchett and I were signing in, er, I think it was Leeds, when the people who worked at the shop saw all the people who had turned up for the signing and got scared enough that they locked themselves in the staff room at the back, leaving Terry and me to climb onto tables and shout at people until they formed some kind of a line. The staff didn't come out again until the people had all gone.)

Strangest moment in Winnipeg was getting back to the hotel room at 1:30 am to notice that, beside my bed, a framed photo of my children had mysteriously appeared. I assumed that this was a cool thing the hotel had done. Elyse, on the other hand, was convinced it was the action of a crazed stalker, and insisted I deadbolt and security chain my hotel room, and was enormously relieved, a few hours later, when she knocked on my door and I removed the chain and was obviously still alive.



Before we left the hotel I took the photo out of the frame and left a thank-you note in its place.



Flew back to Minneapolis. I stopped off at DreamHaven on the way back from the airport this afternoon, and signed more stock for Greg (http://neilgaiman.net/). Theoretically enough to see him through Xmas.

Several people wrote asking me to express my outrage at HarperCollins joining several other publishers in delaying the release of books on the Kindle or e-book format to some months after the hardback comes out, as detailed at http://www.engadget.com/2009/12/11/harpercollins-now-also-thumbing-nose-at-e-book-industry-with-dig/ but after I read the article I couldn't manage any outrage at all, no more than I could manage for people who demand that paperback books come out at the same time as hardbacks. It seemed a legitimate way to publish, anyway.

And, for those of you who want to learn exactly how an author should not respond to an Amazon One-Star review, we present an author named Candace Sams, who begins by pretending she's not the author, just someone defending a good book, then, when outed as the author, claims she's part of a noble group standing up against an evil one-star reviewer, and then informs everyone on the Amazon Comments thread that she's reported them all to the FBI. The Amazon Thread is here. Teresa Nielsen Hayden comments on it at Making Light, here. (Via Cleolinda's twitter.)

And yes, it's a horrible car crash, and I post it here not because it's funny in an Oh God Make It Stop kind of way, but because, if any of you are ever tempted to respond to bad reviews or internet trolls etc, it's a salutary reminder of why some things are better written in anger and deleted in the morning. (Also, if you're an American Games company, don't sue a British blogger in the Australian courts for a bad review.)

Oops. I have started blogging. I will stop now, and sleep for a little while.

...

Before I go: Sky has a website for the Ten Minute Tales series, which includes Statuesque, my film starring Bill Nighy (which goes out in the UK on Christmas Day) : http://sky1.sky.com/10-minute-tales. I wish I could have been at the screening in London on Sunday, more so when I saw my old friend Paterson Joseph stars in one of the films.

http://www.warrenellis.com/?p=8144

A new project from BERG:

We’ve been working with our friends at Bonnier R&D exploring the future of digital magazines. Bonnier publish Popular Science and many other titles.

Magazines have articles you can curl up with and lose yourself in, and luscious photography that draws the eye. And they’re so easy and enjoyable to read. Can we marry what’s best about magazines with the always connected, portable tablet e-readers sure to arrive in 2010?

This video prototype shows the take of the Mag+ project…

Mag+ from Bonnier on Vimeo.

http://www.warrenellis.com/?p=8142

Nearly to the end of the first volume, now:

…Alan Moore who’s also in the audience at an early Roxy Music gig and watching Brian Eno in some insane costume making music with Science, Alan Moore, whose early career could easily be described as trying to find out what might happen if Brian Eno had written the Fantastic Four, Brian Eno, who conceived of his generative art software project 77 MILLION PAINTINGS as “visual music,” which is as good a term for “comics” as any I’ve seen…

http://www.warrenellis.com/?p=8140

TOTW is basically a joke that Ariana and I pull each week in our joint guise as the International Electrophonic Unit. Basically, we take some of the stupider things I’ve said on Twitter and elsewhere, often in a state of extreme alcoholic refreshment or severe sleep deprivation, and put them on a t-shirt. Ariana set up a Cafe Press store (because this is a joke and engaging with a serious maker of t-shirts would be less funny to us), and… well, once a week, here we are.

Through this website and this Cafe Press store, we’re going to release one t-shirt a week. It’ll go live on Monday… and it’ll die Sunday night — midnight UK time, more often than not. Each one lives for a week, and then it’s replaced by the next week’s shirt. Until I either run out of dumb ideas or Ariana’s brain explodes.

So, every Monday, I’ll post the new shirt here, and you can peer at it more at http://www.cafepress.com/electrophonic.

HOWEVER, THIS WEEK: it’ll run ’til next Monday, as we’ve been running late today due to my being in London for meetings. Okay?

This one needs some explaining. I once opined on Twitter that the word "scrotum" ruins everything. And proved it by providing the helpful example "scrotumpunk." And then, um…

…I present to you T-Shirt Of The Week #008: SCROTUMPUNK:

We also offer a couple of perennial items. Mostly because I wanted one of these for myself:

(And also a MAN COOK MEAT WITH FIRE "splatter-shield", because Ariana’s crazy)

Thank you for your kind attention.

http://www.warrenellis.com/?p=8138

I have to go into London tomorrow, as I’ve been instructed to meet a producer. Sometimes my agent talks to me as if she has some kind of remote-operated Destructo-Ray Projector in my office that’ll burn off one of my balls if I disobey her instructions. But she speaks with such confidence that I start to worry that she does actually have some kind of remote-operated Destructo-Ray Projector in my office, and so I go to the meeting.

So it’ll be all quiet here until tomorrow night.

http://www.warrenellis.com/?p=8137

• UNKNOWN FIELDS DIVISION | AA INTER UNIT 7_The End of the World and Other Bedtime Stories
  design fiction from a crack squad of Architecture Association students
  (tags:design fiction )
• shi jinsong gun shape baby carriage

  (tags:design mad )

http://www.warrenellis.com/?p=8135

Poster designs.

Wouldn’t you love to see her do comics? I know I would.

http://www.warrenellis.com/?p=8125

• “Dee’s Siren Song” – Mission: Comics & Art – San Francisco – Events
  gallery exhibition opening by Jamaica Dyer in San Francisco
  (tags:art peopleiknow )
• house of bedlam | Ghostwriter
  Short story by Sarah Sharp
  (tags:fiction peopleiknow )
• Extraterrestrial Life Official Disclosure Imminent – page 2
  "The Obama administration and its supporters are poised to take a bold step forward in helping our planet become an interplanetary culture that openly deals with the challenges posed by extraterrestrial life."
  (tags:nutters ufo )
• Earth’s atmosphere came from outer space, scientists find
  "…volcanic gases could not have contributed in any significant way to the Earth's atmosphere. Therefore the atmosphere and oceans must have come from somewhere else, possibly from a late bombardment of gas and water rich materials similar to comets"
  (tags:geo )
• BBC News – Monkey calls give clues to language origins
  "Two studies suggest that the ability to combine sounds and words to alter meaning may be rooted in a species of monkey."
  (tags:neuro )
• Ancient Amazon civilisation laid bare by felled forest – life – 10 December 2009 – New Scientist
  "Signs of what could be a previously unknown ancient civilisation are emerging from beneath the felled trees of the Amazon. Some 260 giant avenues, ditches and enclosures have been spotted from the air in a region straddling Brazil's border with Bolivia."
  (tags:history )
• Loud bass music ?killed student? Tom Reid | Metro.co.uk
  "Tom Reid, 19, was taken ill in a crowded London club after standing close to the speakers and telling a friend: ?The bass is affecting me.?" Not the only way that music can kill you, either.
  (tags:death music )

http://www.warrenellis.com/?p=8128

After many years of doing rough work on Visors and Treos, I switched back to notebooks this year. Moleskines and Field Notes. Usually working with a propelling pencil, until I found a reliable micro-Sharpie thing earlier this year. Just because I think it’s always worth looking at the way you work and seeing if a change won’t do it good.

These are from a Field Notes notebook started on 5 July 2009.

Had to crank this one up in GIMP, as I was working in pencil (some notes on ASTONISHING X-MEN I scanned were too faint for the scanner or GIMP to save). The left hand page was made around the time I was speaking to the Architecture Association. As you can see, I do tend to go back and add guidance notes later — here, reminding me not to re-use this bit because I ended up using it in a WIRED UK column.

On the right, is how I tend to start roughing out a comics script. It’s almost legible, innit?

I write GRAVEL as "scriptments," usually — a cross between a script, a short story and a film treatment, that Mike Wolfer then turns into something that makes some kind of sense before he starts drawing it. They can run to four or five pages, sometimes just becoming long runs of dialogue. This is me halfway through #15 of that book, just banging the dialogue down without stage directions, as it comes to me:

Yes, I do have bloody awful handwriting. Always have had. I’ll often write in block caps just for the sake of legibility — sometimes I can’t read my own writing.

I’ve filed the serial numbers off this one, as it were, because it was for a work-for-hire project that never got off the ground due to my lack of time. Hence the odd gaps on the page. But this is what you’ll most often find in one of my notebooks: looking at comics page flow. This was the start of several pages of diagrams and notes, trying to find a formal page flow I liked for a DPS, or Double Page Spread.

http://www.warrenellis.com/?p=8126

Because it’s Friday.